-
更新至29集
鍾漢良,朱珠,李夢,經超,任彬,徐海喬,郭曉婷,高卿塵,海陸,那家威,程一丹
-
40集全
田曦薇,張凌赫,任豪,孔雪兒,鄧凱,李卿,喻鍾黎,劉琳,嚴屹寬,嶽暘,杜淳,譚凱,毛林林,葉祖新,於洋,李建義,田麗,寇佔文,付淼,盧勇,苑冉,王九勝,高卿塵,賈妮,金珈,林沐然,林思意,何昶希,高上淇,李殿尊,管雲鵬,管梓淨,張舒淪,李昱唯,向夏,韓浩天,王亭文,曹晏寧,吳佳峻,楊賀文
-
更新至第06集
IU,邊佑錫,魯常泫,孔升延,劉秀彬,李妍,李才元,蔡書安,樸俊勉
-
已完結
迪麗熱巴,陳飛宇,魏哲鳴,張儷,高鶴元,楊肸子,陳楚河,趙弈欽,古子成,丁嘉文,閻必果,徐濱,尤憲超,梁大維,邵偉桐,胡亦瑤,安悅溪,張曉晨,鄧莎,何中華,傅鉑涵,徐崴羅,黃振宇,屠芷瑩,修慶,陳創,陸妍淇,呂鑫,矯昊,劉昱晗,程濤,蕭李臻瑱,宋慶,程誠,賀剛,汪融,言傑,邢岷山,陳瑩,徐嘉希,李洛伊,徐子恩,張躍濱,賀鏹,苗皓鈞,吳逸伽,徐沐嬋,張洪鳴,朱近桐,許榕真,龔婉怡,姜來,曹賽亞,朱宏,漆培鑫,楊子驊,宗峯巖,周婧,周沛宸,李成加,李媛菁,徐泠若,廖茉汐,李芊樂,吳欣洲,孫立彬,楊帆,佟瑞,白
-
全12集
謝天華,張松枝,周家怡,苗僑偉,李天翔,艾威,梁諾妍,朱晨麗,梁靖琪,洪永城,岑麗香,何珮瑜,胡烱龍,梁烈唯
-
更新至60集
孫儷,吳慷仁,王戈,陳璽旭,陶慧,陳天雨,吳念軒,廖銀玥,馬元,邢佳棟,戚九洲,張宇檸
-
全劇集
鞠婧禕,曾舜晞,陳都靈,田嘉瑞,閆桉,饒嘉迪,高嘉妍,左宸屹,歐米德,吳晗,鄔正容,高梓添,夏之光,江一燕,章時安,範世錡,劉宇,汪鐸,姜貞羽,常華森,金靖,陳若軒,孫晨竣
-
更新至第14集
柳演錫 , 李絮
-
更新至20260428期豎屏純享
蕭薔,李心潔,范瑋琪,徐潔兒,江語晨,唐藝昕,闞清子,曾沛慈,淡淡,代斯,安崎
-
已完結·全8集
柯震東,王柏傑,薛仕凌,陳妍霏,楊銘威,陳以文,林鶴軒,趙正平,郭子乾,隋棠,姚愛寗,侯彥西
-
全66集
王楠,吳易霏,李亞鑫,田家川,李姿緯,雷子,王藝潞
-
更新至30集
魏哲鳴,鄭合惠子,陳昊藍,李歌洋,張沐兮,李俊賢,吉舒亦,胡藝嚴
-
全8集
全昭映,姜美娜,白善浩,玄宇錫,李孝制,全素妮,盧在元
-
已完結
陳張太康,李敏
-
40集全
李夢,夏夢,李昀銳,盛一倫,黃楊鈿甜,黃曦彥,周陸啦,張康樂,李孝謙,鄔家楷,李嘉楠
Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".
It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.
And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).
Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.
And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.